Preparing for my next novel.

Now that I have 57 character sketches, 86 pages of character dialogue (18, 544 words), and a map of my imaginary world... I guess I am ready to start my next novel now.

What's this next novel about, you want to know...It's a teen novel that will be a mix between literary and modern fiction.  .Setting= Houston Suburbs/ Middle School.  I could talk for hours about this book, but unless your my friend or future agent... you'll just have to wait until it's finished.  I have no doubt this book will be taught in schools one day because of the message that will be in it. 

It is sad that I can't share a clip of the dialogue or idea without feeling that it might get stolen.  Sad, sad world we live in.

Best place to get dialogue.

As if you needed a reason to get out and meet your neighbors or actually go to church....but if you are a writer... you just might...because I have gotten the BEST dialogue and speech patterns from talking to neighbors or listening to people give lessons in church.  After all, no loud music or noisy crowds like the mall.

For example: Nigerian man speaking English during a Sunday school lesson.  I noticed for the most part he sounded like an American.  But on longer words with more than two syllables, he was VERY articulate/ over articulate for someone living in Texas.  Also, every o after the first consant was pronounced as an ah sound.  So, correct became cahrrect and work became wahrk.  He was educated, too, so his vocabulary was more extensive than some other people.  He also said, "Any other thoughts?" when he wanted someone else to volunteer to talk.  The last thing I noticed was that the short i sound was pronounced with a long e sound.  If became eef, interesting became een-trist-ing.

Taking Undercover to the Mall

One of my dialogue exercises suggests you go to the mall and ease drop on people's conversations, then write down what you remember.  Well, I found several problems with this suggestion.  1) the music at the mall is so loud and obnoxious that you can be standing next to someone and not hear people talk. So, I thought, the food court might be better, but alas, the music and noise is so loud there and the chatter so everywhere, that you cannot hear the person sitting right next to you, either.  This picture is of me trying on a dress as I record the two sentences I just heard when I first entered the mall.  I was afraid someone would notice me taking notes on my phone, so I thought... dressing room!  I bought that dress!

At this point, I am still trying to run to the dressing room to record my snip bits of dialogue I heard.  I was a little disappointed at how little I could overhear in a certain amount of time, but more I was disappointed in how "immature" the language of both adults and teenagers was.  For example: sixty year old white woman with a hickish country accent, drab looking clothes, over weight, and a curved back stated into her cell phone: "When I say she's bad, I mean  she's gone all to heck."  Or... as I was waiting in the Chick-fil-a line, a pimply overweight teenager with red curly hair was rating girls after they left the line, in front of the other customers... just like we didn't exist. "I rate that one a seven," he says about this adorable, petite girl who works at Claire's (I had already run into her at the store and had a conversation ). The other two do a moaning, like they disagree.  "What u don't think so?" They moan again.  "What u think I was being too nice?"  At this point, I am finally at the cash register, and the guy stops talking as if he realized finally that they rest of the restaurant could hear his conversation.  Of course, I had some witty comeback in my mind to berate him in front of the restaurant, "For a guy that I would rate a zero, you are not one to be rating women, especially your customers."  That comment flickered in my head, as did summoning the manager because I really enjoyed the conversation that I had with that Claire's girl, and I knew I was next to be rated.  However, I choose the nobler path... emulating Chaucer... Do you remember Chaucer from A Knight's Tale, "I will eviscerate you in fiction. Every pimple, every character flaw. I was naked for a day; you will be naked for eternity."  Beware the person who scorns the writer!  I didn't buy those clothes in my hands, but I did try them on, along with a two hundred dollar sexy dress that made me look amazing while still having sleeves and going an inch above my knees, but too much money and no place to wear it!

The last dress I tried on and didn't buy- didn't like that black line across my breasts. After this, I decided that running to the dressing room was a waste of time.  I actually found the best way to hear a conversation in the mall was walking in the hallway.  Anyone who was unfortunate enough to walk behind me, I typed what they said just as they said it.  My best conversations went unwritten and were with two different shop employees, which I didn't write down because I was too interested in shopping in the store to focus on my main agenda...my writing exercise. 

So, was my undercover trip to the mall successful?  Four hours, 11 different types of people, and 135 words noted.  Better than nothing, I guess.   

Dialogue

When I got to a chapter in my last novel and knew what was going to happen, but didn't have the words to get started... I just began with dialogue. I thought to myself...what are the people in this scene going to say one another. Then, I just started typing it out without names, description, or even quotation marks. After I finished two pages of nothing but dialogue, I went back and added all the description, names, body language, and actions. Oh yeah, I inserted the punctuation, too. Apparently, that is necessary. In the end, the chapter would have been fleshed out from the two original pages to ten pages.

So, as I begin formulating and stewing over my next novel... I have decided to practice the art of dialogue. I picked up this book called, Write Great Fiction: Dialogue, Techniques and Exercises for Creating Effective Dialogue. I have read the first few chapters already and engaging myself in all of the suggested dialogue exercises.

One of the tasks suggests that you write a scene that reveals the inner motivations of both people through dialogue. In an effort to be more realistic, I turn to my husband and implore that he do an acting exercise with me. He, of course, makes the horrible mistake of saying yes to me... (horrible for him because now he was so good I am going to try to do this more often.)

So, I give him the character and background that I want him to act out... I tell him what his motivation is and what he is NOT saying that is very important to the entire scene. I recorded the dialogue of our pretend confrontation, so I could transcribe it later for my self-assigned assignment. Have to tell you, this acting out really helped keep the dialogue realistic. I'd share the outcome, but it will be in the middle of my next book. You'll just have to read it then.