Acting Out

                My husband watches me put on a clean dress, tan stockings, and brown leather boots. “What are you doing?” he wants to know as I step into the shower and turn on the water. He asks this with an amused laugh.

                “It was easier just to get wet,” I respond.

 

 

                No, I don’t normally take a shower with my clothes on. But, I do act out a lot of my storyline.  Which is what I am doing here.

The explanation: Ten minutes before this picture, I was sitting at my computer, editing the rough draft of Book 2 in The Lambient Series, and attempting to describe how my female protagonist feels completely drenched in a canoe, just rescued from drowning but still waiting for her father to be saved. I know I’ve felt what she’s feeling, probably caught in a rain storm and couldn’t immediately change clothes. But, as I was trying to recall what that felt like…the shower idea jumped into my head. So, I grabbed her costume, or the closest articles in my wardrobe, and a pad and pen.

                You can’t see it in the picture. But, beside my tub (aka, the canoe) is a pad and pen. Which, once someone stopped taking my picture, I scribbled down every emotion, thought, image, etc. my protagonist was feeling.

                I could have wretched my brain for hours to come up with the page of writing I did in five minutes dripping wet in the tub. Because…sometimes, it’s just easier to get wet.

What I do for love...

What I do for love…

What I do for the love of writing, that is.

It’s certainly not fame. Though, one day I do hope to be published. Not so much to be “famous” as to have others read my stories and live through my characters. One of my favorite questions to ask a stranger is: What is the best thing that could ever happen to you? The answer is so telling. Hands down, my response to my own question is to accidently stumble upon someone reading a book I’ve published on a plane or by the pool. Better yet, would be if they do NOT recognize I’m the author and we discuss the book. Even better, they like it.

So, what is that I do for the love of writing?

First, I’m in two writing critique circles. An online one with my former Houston Writers Club friends and a local one in Tallahassee, FL. The online group meets weekly via web conferencing and we email one another our ms at the beginning of each session.  While one individual is reading aloud their ms, the rest of us are critiquing it on the computer. Then, it is the next persons turn. The local group, and I use the term ‘local’ loosely since I travel two hours from Dothan, AL to attend, meets once a month.  In this group of five, the ms is emailed out the week before and at the meeting we discuss each person’s work.

Second, I read. Mainly, I read young adult novels and fantasy novels. And by reading, I should say studying because I underline, highlight, and take notes. Sometimes it seems to take me forever to get through a book because I’m so busy dissecting the way it was written. You might think that this takes away from my enjoyment of the novel….but you’d be wrong.

Third, I write and edit for about six hours every week day. It’s my job.

And maybe…. *I’m raising my diet coke to the air.* ….my dreams of being a published writer will come true. Maybe, even this year.

Houston Writer's Conference

     Since I am paid in "family moments"--- you know those magical fiveseconds of a day where your kids tell you your the best mom ever because you picked green beans out from the garden together or you've agreed to let them help make pancakes---two-hundred and fifty dollars for a writing conference is a lot of money. But, wow, was this conference worth it!
   Honestly, I'm expecting to be bored senseless with alot of lectures, like I was back in college. (Not talking about your class Sissy.) It turned out to be quiet the opposite.
  The energy level of the presenters at the conference was amazing. I took the young adult track, for the most part. All of my speakers were practically doing song and dance numbers like they were from Gypsy. I kept picturing them breaking out into song and singing, "Let me, entertain you. Let me, make you smile!" I kid you not when I tell you one of the presenters put on fairy wings!
   One of my favorite quotes from the conference was from Elaine Scott, an author published 40 times over. She said, "Write as if they will confiscate your computer on Friday." I love that. I was really bummed the email address she gave me didn't work. If anyone knows her email address, I wanted to shoot her a note about how I loved her lecture.
  Besides talented, experienced writers giving us advice on what to do and not to do, there were many agents there.  I was able to interview with four of them. I was surprised by how friendly, nurturing, and helpful the agents I spoke with were.  Granted, during the first interview I was crazy nervous...but as the energy of the conference rubbed off on me...I was on a roll. The best feeling happened in one of my interviews. When the agent was listening to my pitch, I could really tell they were really appreciating the uniqueness and humor of the story and characters. It felt great to have an agent appear to take a genuine interest in my story.  Crossing my fingers  the agent I felt a connection to works out!

Houston Writers Guild

       Writing -for me- is like having an endless cheesecake with blueberry topping sitting inside my head.  Constantly craving  it, but as you eat, the cheesecake doesn't disappear (or add pounds) ...it just creates this salivation for more cheesecake.
       Just when I thought I couldn't crave the cheesecake anymore...I joined a critique group...and now I just may end up in an AA meeting for cheesecake someday!

(left to right: George, "Book," Jolene, Jeremiah, Araceli, Enos)

         The picture shows only a handful of people that attend one of the three critique groups.  Over 60 people regularly attend these critique groups... and the guild itself has ALOT more members.

         A little about my buddies in the picture who have made me feel so welcomed:

* George- "I call him "the voice"- his commercial tone and storytelling skills make the phone book sound like an interesting story-- why most people choose him to read their material!

* "Book"- most opinionated and doesn't sugar-coat it: which is hard to take when you are hearing it, but you really appreciate it later

* Jeremiah- Good-natured, quirky Science Fiction Writer; the gentle critic- highlights the good points of writing and then surprises me with a very specific suggestion for the piece.

* Araceli- Quiet and reserved, whose comments are generally verbal; she writes young adult

* Enos- his grumpy act isn't fooling me- I'll grow on you eventually!  Focuses on the big concepts in your work that are missing

Our president, Rodger Paulding, the quiet observer who edits your complex sentences for better read-ability.

Dialogue

When I got to a chapter in my last novel and knew what was going to happen, but didn't have the words to get started... I just began with dialogue. I thought to myself...what are the people in this scene going to say one another. Then, I just started typing it out without names, description, or even quotation marks. After I finished two pages of nothing but dialogue, I went back and added all the description, names, body language, and actions. Oh yeah, I inserted the punctuation, too. Apparently, that is necessary. In the end, the chapter would have been fleshed out from the two original pages to ten pages.

So, as I begin formulating and stewing over my next novel... I have decided to practice the art of dialogue. I picked up this book called, Write Great Fiction: Dialogue, Techniques and Exercises for Creating Effective Dialogue. I have read the first few chapters already and engaging myself in all of the suggested dialogue exercises.

One of the tasks suggests that you write a scene that reveals the inner motivations of both people through dialogue. In an effort to be more realistic, I turn to my husband and implore that he do an acting exercise with me. He, of course, makes the horrible mistake of saying yes to me... (horrible for him because now he was so good I am going to try to do this more often.)

So, I give him the character and background that I want him to act out... I tell him what his motivation is and what he is NOT saying that is very important to the entire scene. I recorded the dialogue of our pretend confrontation, so I could transcribe it later for my self-assigned assignment. Have to tell you, this acting out really helped keep the dialogue realistic. I'd share the outcome, but it will be in the middle of my next book. You'll just have to read it then.